Showing posts with label Screenwriting. Show all posts
Showing posts with label Screenwriting. Show all posts

Tuesday, March 5, 2013

Screenwriting Software

The new wave created by screenwriting software has made the work of a script writer for the movies, audio-visuals, documentaries, theater, television or video games considerably easier. Screenwriters are required to follow some pre-defined conventions while going about their tasks. Helping the user with formatting, revisions and final presenting, the software is considered a boon by writers of screenplays. The lineage of scriptwriting software began with SmartKey that dominated the scene between 1982 and 1987. Today there is a vast array of software that one can pick and choose from, the selection depending upon individual requirement.

Basically the screenwriting software packages fall under three broad categories:

1. Shareware or freeware

Screenwriting Software

2. Commercial software that has to be purchased

3. Web based

Different screenwriting software packages carry out innumerable functions in varying permutation-combination. The creative writing is now no longer restricted to a person's efforts alone. It has largely shifted into a computer domain that needs little human intervention. The digital approach to pre-production systems takes care of a plethora of tasks involved. Another advantage offered by some screenwriting software is that collaborative work becomes simpler. Doing away with multiple project files, the members of the team may share information and work on a single file thus eliminating possibility of any confusion.

The various steps in story writing are all taken care of by screenwriting software such as writing the script, the scene description, sequences, character development, setting up tags, scheduling, budgeting and preparation of circulars and reports for the staff and the cast. This makes management of workflow more efficient and has become the much preferred method of working by studio professionals, film-makers and students learning the craft of writing scripts.

The fluidity of the writer's thoughts need never be interrupted, rather enhanced by making it possible to work even when on the move. The dedicated screenwriting programs are not glorified word processors meant only to format what is typewritten, but a whole lot more, working by your side all the time. Some of the software packages have ready-made templates that the writer can adapt to his script. These are comparatively cheaper than others in the market.

Some of the best known screenwriting software programs are Adobe Story, Plotbot, Celtx, BPC Screenplay, DreamaScript, Movie Outline, Plot Builder and a host of other equally resourceful packages. Currently the two most widely used software packages used in Hollywood are Final Draft and Movie Magic Screenwriter. The trend has been set and the future of screenplay writing lies in these specialized programs.

Screenwriting Software
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To find a screenwriter for your script, visit our screenwriting services website by clicking the word "screenwriters" below:

SCREENWRITERS.

You will be able to instant message, call, and email screenwriters for hire.

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Tuesday, January 22, 2013

Screenwriting Tips: Dialogue, Action and Characters

The dialogue you create for your character should seamlessly fit the character's personality and help move the story. Good dialogue in a screenplay should reveal the uniqueness of a character. If you cover the names of your characters and read just the dialogue, you should be able to identify each of the characters. For example, the main character should not sound like the supporting character. Their mannerisms should be distinct. Make your characters stand out from each other. Allow the audience to become fascinated with the lives of your characters. Do not let your characters chat incessantly in a scene. "Talking heads" slow the pacing of a screenplay. Conversations between characters that are irrelevant to the plot should be lifted out of the script. Avoid "blunt" and "on the nose" dialogue. Focus on purposeful dialogue that will help inject life and depth into your characters.

Focus On Showing the Action

In screenwriting, avoid the temptation of "announcing" to the audience that your character is attracted to another character. For example "Johnny is crazy over Sarah." Instead, go for the "show" and less of the "tell." The action of a character generates more visual and emotional impact than a passive narrative. Unlike novel book writing, screenwriting requires the writer to effectively convey the story visually for the movie screen. Words must channel the character's desires through action, not just merely stating what a character is feeling. The audience wants to experience and see things, not just be "told" of something. Find external means to convey Johnny's craziness for her. Create an opportunity for the audience to form a bond with the character. Set up a scene to show Johnny's strong attraction towards Sarah. Does Johnny get restless around her? When he sees Sarah entering the office building, does he rush to hold the door in hopes of gaining her attention? Rather than "telling" the audience Johnny is crazy over Sarah, "show" the audience how that character acts around the other character.

Screenwriting Tips: Dialogue, Action and Characters

Character Development

The best way to harvest your characters is to observe how people interact with each other in your daily life. Whether you are at a race track, grocery shop or coffee shop, be in tune with your surroundings. Watch how people carry themselves and listen to how they talk to one another. If you are starting out, take a small notepad with you and jot down the funny moments or interesting sound bites you hear from those around you. What you observe and keep in mind that day will help you create characters that are not carbon copies of each other.

In order to garner the attention of a literary manager or agent, screenwriters must demonstrate that they have a distinct voice in their writing and also an understanding of what is commercial in the industry. Screenwriting is the business of writing scripts that have entertainment value. Allow your audience to live in the moment of your story.

Screenwriting Tips: Dialogue, Action and Characters
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Ellexia Nguyen is the owner of The Script Joint, a screenplay consulting company that works with screenwriters, producers and directors. She started out in the industry at Paramount Pictures. For fast, professional script analysis and editing services, visit http://www.TheScriptJoint.com today! Mention that you heard about it through EzineArticles and get off Script Notes service.

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Saturday, December 15, 2012

Screenwriting - Why The Inciting Incident It Critical To Your Screenplay

The screenwriting term for the moment that really gets a story going is the inciting incident. Up until this moment, we see the protagonist in their normal world. The inciting incident is something that shakes up that world and causes the main character to take action to achieve a specific goal.

It establishes the stakes of the film: Will the boy get the girl? Will the suburban couple that gets lost in gang territory make it out alive? Will the prom queen escape being murdered by the serial killer?

The inciting incident also establishes who or what stands in the way of the hero reaching her goal. It is the beginning of the real conflict of the story.

Screenwriting - Why The Inciting Incident It Critical To Your Screenplay

In addition, the inciting incident is the first plot point of the story. A plot point is an event that spins the story in yet another direction. A good screenplay has plot points that increase in intensity until the final plot point - the climax.

Here are some examples of plot points in classic films: Scarlet O'Hara meets Rhett Butler. Gone with the Wind. Luke Skywalker's home is destroyed. Star Wars. A lost love suddenly appears in the saloon of a cynical man during World War II. Casablanca. The respected head of a Mafia family is the victim of a botched murder attempt. The Godfather. Dorothy lands in Oz. The Wizard of Oz.

So how did the inciting incidents in the movies above affect the story?

Spoiled, beautiful Scarlet O'Hara, who is used to having men faun over her meets her match. It is the beginning of a tempestuous cat and mouse relationship against the background of the Civil War.

Luke Skywalker dreamed of becoming a cadet and flying fighter jets but he always had a reason not to. Once his Uncle's farm was destroyed, he had no more excuses. He sets off on his adventure.

Rick in Casablanca sticks his neck out for nobody, until Ilsa rocks his world and makes him join the war effort to defeat the Nazis.

When Vito Corleone is gunned down, War Hero and Good Citizen Michael chooses to protect his father by joining the "family business."

When discontented Dorothy lands in Oz, it is the beginning of a journey back home, both physically and emotionally to recognize "There's no place like home."

Do you understand how the inciting incidents set the story in motion? One of the keys to successful screenwriting is to have an effective inciting incident that will set your main character onto a new path, giving both them and the audience a reason to get involved and stay involved - right up to the closing credits.

Screenwriting - Why The Inciting Incident It Critical To Your Screenplay
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Danek S. Kaus is a produced screenwriter with two more movies in development, one of them based on a book. Several of his original screenplays have been optioned by film companies. He can adapt your book into a screenplay and also do a Professional Screenplay Analysis

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Monday, November 19, 2012

Screenwriting - Why Turning a Book Into a Movie Is Tougher Than Turning a Movie Into a Book

One of my screenwriting Twitter followers asked me the question: Which is harder-turning a book into a screenplay or turning a screenplay into a book? Without any hesitation, I responded that it' s much more difficult to turn a book into a movie.

For one thing, you have much less room to tell the story when screenwriting. A novel can be 80,000 - 100,000 words and more, and take up hundreds of pages. A screenplay must, with very few exceptions, run 90 - 120 pages, with lots of white space on the pages. Average word count is somewhere around 20,000 - 25,000 words.

The reason there is a strict page count when screenwriting is that the rule of thumb when shooting a movie is that one screenplay page equals one minute of time on the screen. It doesn't always work out that way but you still need to be very careful with your page count.

Screenwriting - Why Turning a Book Into a Movie Is Tougher Than Turning a Movie Into a Book

So you can see the problem from the outset. Books have much more room to develop their stories and themes. They can spend a lot of time describing a scene or a character, and delve deeply into their backstory. Although it is important to keep an eye on page count because of production costs and marketing, novels have less exacting word counts.

Novels can be more flexible. They allow the writer to spend time on what interests them most. Novels also allow authors to have fun with the language, to show off their poetic flair, if they want to. For many people, including me, part of the joy of reading a great novel is the writing style of some of my favorite authors.

Novels can reveal what a character is thinking. In a screenplay, you can only write what can be seen and heard on the screen. Sure, there can be voice overs, but most producers and directors prefer not to use them unless they feel it is absolutely necessary for the story.

Screenwriting must be minimalist. Character descriptions tend to be very general, in order to allow for more casting options. Also, movie dialogue must be much shorter. Every sentence and every word must move the story forward in some way.

Novels have room for several subplots. The majority of movies only have one or two, if any. There's simply not enough time for them to develop in about 90 minutes.

Another reason that the screenwriting process is so demanding is that the audience only has a quick moment to get all they can form each scene. When people read a book, they can go back a few pages if something is not clear. People can't do that in a movie theater.

In novels, words tell us the story. In movies, images, along with dialogue, tell the story, but images are preeminent.

On the other hand, for the reasons already mentioned, turning a screenplay into a book is a much easier process. The writer can use all those ideas, characters and subplots he or she had to discard because of limited space and time constraints. They can have more fun with the language and more easily reveal the thoughts, emotions and motivations of their characters. If your novel is a few thousand words more than your editor asked for, you can probably get away with it. But if a screenplay is too short or long, it gets thrown away without even being read.

One challenge that a screenwriter may encounter when turning a screenplay into a book is that they now have to be more specific with details of locations and the visual appearance of their characters. So, although writing a novel is not easy, it is easier that writing a screenplay.

Screenwriting - Why Turning a Book Into a Movie Is Tougher Than Turning a Movie Into a Book
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Danek S. Kaus is a produced screenwriter of an award-winning feature film. He has two movies in development and three more of his screenplays have been optioned. Check out his his screenwriting site for more article on screenwriting. You can also ask for his Free Ebook screenwriting for authors

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Wednesday, November 7, 2012

How to Write a Movie Script - Screenwriting Tips to Get You Started

So you want to be a screenwriter, but where do you start? What tools and resources are necessary to learn to be a screenwriter? Do I have to spend a lot of money to get started? These are all common questions, which I will answer in this article.

Easy tips on how to write a movie script:

1) Read as many screenplays as you can. Learn the format and language of how screenplays are constructed. For instance, screenplays are always written in the present tense and often use minimal description to set scenes and create atmosphere. The rule of thumb is: never write more detail than you need.

How to Write a Movie Script - Screenwriting Tips to Get You Started

2) Use computer software to format your scripts. To succeed in Hollywood, you have to use proper screenplay formatting. People who work in the industry are used to screenplays following an accepted format and layout. If yours does not, you are out of the ball game before it has even started. If you've got the money to spend (0-200), I suggest Movie Magic Screenwriter as the software of choice. In my opinion, it FAR SURPASSES the competition. If your budget is tight, there are also many low-cost software options available (under 0), as well as free templates that plug into MS Word.

3) Learn to outline your stories. You can do this on a computer, or you can use the "traditional" method of breaking down your screen story through the use of index (3x5) cards. Either method will allow you to move your scenes about and find the proper flow of your story. During this process, you may discover "miracles" that will take your story to the next level... or you may find out that that "precious" scene you've been thinking about is not even needed!

4) Purchase some screenwriting books to help you learn the process of storytelling and how to structure your story. William Goldman, screenwriter extraordinaire, is famous for saying that screenplays are, "Structure, structure, structure." Movies don't have time to meander like novels. They need to be tightly constructed, with no flab. There are some great books on the market. Hit your local bookstore to familiarize yourself with a few. One of my favorites on how to write a commercial screenplay is Blake Snyder's SAVE THE CAT!

How to Write a Movie Script - Screenwriting Tips to Get You Started
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For more killer FREE tips on scriptwriting, go to Screenwriting Tips. Sign up to receive FREE SCREENPLAYS that you can use to learn how to Write a Movie Script and become a successful screenwriter.

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Monday, November 5, 2012

Screenwriting Tips: What You Really Need to Know

Screenwriting tips. Whether you are a veteran screenwriter or new to the game, you've likely encountered them somewhere online. Turn down any dark Internet alley, and you'll find a gaunt, empty-eyed writer, reading through tip after tip, screenwriting article and screenwriting article, searching for some sort of antidote or secret. Their five-o'clock shadow crawls down their neck.

Slowly, they urinate themselves. A sneaky bum steals their wallet-- perhaps their urine. But the oblivious screenwriter, wrapped up in the cheap, quiet warmth of the LCD, keeps searching for the elusive, script-saving tip.

We've all done it. Stuck on a pesky screenplay, or unable to break a story, we open Google and search: screenwriting tips. And in (.30 seconds) we get (about 111,000 results). Already, we feel the high. The answer is somewhere in that haystack. If we can just... find... that... tip... Maybe we'll finally be able to write snappy dialogue. Or maybe we'll figure out why our protagonist shouldn't be a mute eighty year old man that dresses in drag. Or maybe we just need to be reminded one last time to "Show, don't tell." Maybe. But probably not.

Screenwriting Tips: What You Really Need to Know

The truth is, there's only one screenwriting tip that matters. Write. Turn off your wireless connection and make some stuff up.

Impress yourself. Make yourself laugh. Scare yourself. Pee yourself. Poop in the mailbox. Write a murder. Or a robbery. Really, anything will do. As long as you're writing.

Because writing leads to more writing. Even if you're not working on that one particular script, or that one particular scene, don't stop. Chances are, you'll work through your problem on the page. And really, that's the only sure way to get better.

Keep writing, and your work will improve. Keep reading screenwriting tips, and who knows what'll happen. You could die. Probably not. But you'll definitely waste a chunk of time that would have been better spent writing. When all is said is done, writers write, and good writers don't let their flawed drafts stop that process.

But the sheer volume of screenwriting tips online suggests that there's some merit in these nuggets of supposed wisdom. And yes, some of them are helpful. But assuming you've read the screenwriting books, and begun your study of the craft, the tips won't tell you anything you don't already know. For the most part, they're a regurgitation of the same maxims that have been passed around the screenwriting community for many, many years, and you don't need 'em.

You don't need someone to tell you that there shouldn't be typos in your script. You don't need to be reminded that screenplays need conflict. Or structure. Or that jokes need to be funny. Or that your audience needs to be entertained. Or that you shouldn't name all your male characters with girl names. Or that vampire movies are stupid (fine, not yours). Or that your protagonist has to be active. Or that your hero can't be in a coma until page sixty.

All you really have to do is write. Entertain yourself. At its core, that's what writing is all about. That's why it's awesome. Your primary mission is to write what satisfies you, or makes you happy. Let's face it - all screenwriters are egomaniacs. So stop wasting your time with screenwriting tips and start making yourself happy. Isn't that the point?

Screenwriting Tips: What You Really Need to Know
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Check out this site for more screenwriting articles and great script analysis by industry professionals and experienced screenwriters.

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